Even if intriguing projects do make it onto the Top 10, it can be hard to tell the names apart. According to Netflix, U.S. viewers are currently obsessed with In the Dark and Dark Desire, Last Chance U and The Last Dance, The Kissing Booth and The Kissing Booth 2. Sometimes, sensational titles spend weeks in the No. 1 spot, such as the erotic drama 365 Days, which titillated touch-starved viewers with its sexual hijinks. But the makeup of such rankings reflects a rather banal truth: People are really bored right now, and that leaves a lot of room for uninspired content to flourish.
If HBO’s Game of Thrones was the last great piece of TV monoculture, then the pandemic has popularized a series of forgettable productions that each offer a fleeting, miniature facsimile of communal attention. Absent the usual summer blockbusters, and with few prestige shows rolling out new episodes, the landscape of American entertainment is barren enough for C- shows and movies to rack up the viewership of B+ productions, if not the associated enthusiasm. The mechanism by which Netflix measures its subscribers’ consumption habits is itself a paragon of low expectations. The company, which has historically withheld actual audience numbers, recently revealed that it counts anything longer than two minutes spent on one movie or show’s screen as a “view.” Whether because of the content’s mediocrity, or the sheer exhaustion brought on by living through a historical event, few of these “most watched” works have generated a collective viewing experience that feels cohesive, much less exhilarating.
What is there to text a friend about the way that Murphy Mason trips over herself in every other In the Dark scene because the show is hell-bent on reminding viewers that she is, in fact, blind? Even while trapped in a braiding chair for upwards of eight hours, I had nothing to say about it. That Fatal Affair, the new Perfect Stranger–esque thriller starring Nia Long and Omar Epps, would go largely unremarked upon by Black Twitter—despite putting up a decent showing on the most-popular list—felt symptomatic of this broader apathy, too: How, I wondered while watching that movie, had Netflix found a way to make me yearn for the days when the worst thing a Long character did was date a slam poet with a hoop earring?
Still, no production better captures the unbearable adequacy of such offerings than Netflix’s Kissing Booth franchise. The second film in the series has been planted firmly at the top end of the most-popular list since its release last week, even dragging the original into the ranking with it. The Kissing Booth cinematic universe, which includes another forthcoming film, is a world of middling teenage romantic hijinks that make me—a noted and very forgiving fan of the genre—contemplate never kissing anyone again. “No boobs are worth a broken nose,” a line uttered by one of the characters in the first film, has haunted me since I first heard it.
Radhika Apte reveals real reason why she got married
Radhika Apte needs no introduction to Kollywood fans after her appearance as Superstar Rajinikanth’s wife in ‘Kabali’ directed by Pa Ranjith. The intense actress impressed with her performance of a meek girl to a mother of a grown-up and especially her reunion scene with Rajini took the audience on an emotional ride.
Radhika is happily married to her British boyfriend Benedict Taylor who is a singer and she shuttles between Mumbai and London to balance her personal and professional life.
Radhika Apte in her most recent interaction with Vikranth Massey on social media from London has admitted that she does not believe in the institution of marriage. When asked why she got married the talented performer replied that it is easier for married people to get a British visa and that’s why she and her man opted for it in 2012.
Radhika is currently chilling with Taylor in their London home during the lockdown and will soon start filming her next English film ‘Noor Inayat Khan’ in which she plays a spy based on a true story.
Jacqueline Fernandez shares picture of her being in ‘happy place’
Actor Jacqueline Fernandez is working on a secret project where she found herself in a ‘happy place’. Taking it to Instagram on Sunday, the 35-year-old actor shared a picture dressed up like a traffic police officer as she is seen laughing her heart out.
“How was everyone’s Sunday?? Fun project coming up soon! #myhappyplace,” wrote Fernandez along with a picture where she is also seen holding a coffee mug. The ‘Kick’ actor also shared a few Instagram stories of her getting ready for the upcoming project.
Recently, the actor extended gratitude to her fans after the number of Instagram followers hit the 46 million mark.
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Why an ‘active’ approach to risk modelling is key to navigating markets today
Whether investors are aiming for a cautious approach or a riskier investment profile with the potential for higher returns, Architas’ Blended Fund range is designed to match a range of investor risk appetites. And like many asset managers, Architas predominantly uses two approaches to define asset allocation within the five risk bands used in the Blended Range – strategic and tactical.
Whilst risk model provider EValue’s quantitative approach to asset allocation takes into account the long-term performance of different asset classes and the likely future performance given current valuations, along with long-term measures of volatility and correlations with other asset classes. Yet as with most systems of its kinds, EValue focuses on the long term; it is unable to analyse short-term market movements and fluctuations. So whilst it would have seen that in Q1 2020 markets fell by a record percentage before rebounding, it will not be able to factor in the cost of the coronavirus and lockdown and its impact on markets. Similarly, it is not able to consider ongoing Brexit woes, geo-political trade wars or the outcome of the US election in 2020.
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