Ariana Grande is a famous singer and is loved by many fans. The singer has a huge fan base. The singer has an amazing record breaking songs. Also, the artist has dated many famous people. She has dated Big Sean, Mac Miller, Ricky Alvarez, Pete Davidson, and so forth. Presently her fans need to know whether she is single or dating another person. Along these lines, this year, it was uncovered that she is dating Dalton Gomez.
Who Is Ariana Grande Dating
Dalton Gomez is an investor in real estate who isn’t associated with the entertainment division. He has offered numerous costly properties to famous celebs. Gomez likewise has superstar companions. He was spotted with Miley Cyrus back in July 2017. Now reports appears that he is dating the singer Ariana.
About Ariana Grande Dating Dalton Gomez
Many reports appears about their dating and it was also officially confirmed. The couple began dating from the starting of this year. In February 2020, Ariana Grande and Dalton Gomez were spotted together enjoying a good time. At that point, both likewise showed up together on numerous occasions, yet they attempted to save their relationship for a long while. I
At long last, their relationship affirmed when the two of them showed up in the Stuck With U music video. So, at last, Grande is a lot of glad in her life. She also face ups and downs when she was with Pete Davidson.
Has Ariane Grande Separated From Pete Davidson
The singer has also dated many celebs like Pete Davidson. Before Dalton Gomez, Ariana Grande was involved with SNL alum Pete Davidson. Prior, Ariana additionally showed up on the parody show.
They additionally reported their commitment and were close to each other. Be that as it may, only a few months of being locked in, they separated from one another. Sources said that the deathof Mac Miller was one reason for the split among Ariana and Pete. At that point, Ariana was feeling sad.
Despite It All, Avatar 2 Has Wrapped Production
For most Hollywood filmmakers right now, a shooting day is the true unobtanium. But self-proclaimed King of the World James Cameron has managed to call “that’s a wrap!” in the age of coronavirus. He has announced that, despite numerous obstacles, the sequel to his 2009 mega-success Avatar is 100 percent done filming, and the third installment in the series is about 95 percent complete.
The visionary sci fi director appeared on a video call with his old cybernetic pal Arnold Schwarzenegger for the Austrian World Summit, part of the Schwarzenegger Climate Initiative. Other speakers include the U.N. Secretary General António Guterres, Prince Charles, Mayor Eric Garcetti of Los Angeles, Pakistani Prime Minister Imran Khan, Jane Goodall, Austrian Chancellor Sebastian Kurz, and others.
Cameron’s return to Pandora has been met with eight different release day changes, but his crew in New Zealand have come out the other side. “We lost about four and a half months of production,” he said.
“We’ve rolled around one more full year for a release in December of 2022,” he said. “Now that doesn’t mean I have an extra year to finish the film,” he added, lest physical fitness enthusiast Schwarzenegger think his old boss would then sit on the couch eating Pringles and streaming Pluto TV. “The day we deliver Avatar 2 we’ll just start working on finishing Avatar 3.”
The 2009 film Avatar was the first to surpass the $2 billion mark at the box office. It also ushered in a now mostly-abated resurgence of 3D filmmaking. Its final $2,790,439,092 tally was eventually surpassed in worldwide gross by Avengers: Endgame, by a little over seven million. (Cameron can lick his wounds, though, knowing he doesn’t just have the silver medal, but also the bronze with a little picture called Titanic.)
In the conversation with Schwarzenegger, which was mostly about climate change and cutting edge technology, Cameron said he was not an environmentalist in the sense of having credentials or a degree, but he considers himself an environmental advocate. Schwarzenegger said that it was Cameron who first brought environmental issues to his attention back in the 1980s when they made the first Terminator film. Cameron discussed the negative environmental impact of eating meat, sharing an anecdote about explaining vegetarianism from a Econ 101 point-of-view to Rupert Murdoch.
Cameron declined to give any story information about the Avatar sequels (or as Schwarzenegger calls it, “Ovitahhh”), citing his “love for the mystery,” but made it clear that his friend Arnold was welcome to come down and see the studio any time. It’s clear that these two men have a great affection for one another.
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Batman vs. Spawn: Who Won Their Crossover Fight?
When Spawn and Batman were brought together, fans got an answer to the longstanding question of which would triumph in a fight.
In 1994, Gotham’s Batman met with New York’s latest brutal vigilante Spawn in an intercompany crossover between DC and Image Comics that joined Batman writer/artist Frank Miller with Spawn creator Todd McFarlane in one violent and entertaining issue. With both vigilantes investigating the same crime, the Dark Knight travels to New York where he meets and fights the former Al Simmons in a battle of discipline, strength, and skill that begs the essential question, who will win: Batman or Spawn?
In Batman/Spawn #1 – which appeared more in line with Miller’s Dark Knight Returns universe than other depictions of the Dark Knight- Batman’s patrol is ended by the attack of a powerful robot. Taking evidence back to the Batcave, Bruce follows the trail to New York City, where his investigation brings him to the alleys where the homeless ramble, drink, and tell stories about the spiritual protector/friend they call “Al”. Their supernatural guardian makes himself known when Spawn stops two men from lighting a homeless man on fire, seeing justice in using his powers to ensure they burn instead. Witnessing a murder firsthand, Batman introduces himself to Al with his usual dramatic entrance and an attack that might as well ring the bell on their fight.
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In the beginning, Batman’s usual attempts to incapacitate a foe do nothing as Al shows superhuman strength, stamina and dexterity. Realizing he doesn’t have to hold back his punches, Bruce unleashes his batarangs while continuing to pummel Spawn with little to no effect. Spawn cheats a little by using his precious magic to make himself strong enough to beat up Batman. Realizing he’s overpowered, the Dark Knight retreats temporarily while both men attempt to heal and lick their wounds, Batman taking the defeat the hardest when he realizes Spawn was holding back.
The two vigilantes confront each other later but instead of acting rationally or answering each other’s questions, Miller writes his Dark Knight like an obsessed bully dying for some payback. Wearing a gauntlet that augments his strength and healing, Batman pummels Spawn back until he decides to fight dirty, each hero wasting more time and energy to the point where they’re on the ground hurling insults in between gasps. This rematch ends in a draw when two cyborgs show up and attack Batman. Spawn is forced to use his magic to not only destroy the murderous machines but also to heal Batman’s body. Batman and Spawn begrudgingly work together against their common enemy, accomplishing their goal of saving New York from a nuclear missile. Batman gives Spawn a laundry list of things he doesn’t like about him and promises that they’ll meet again, and this time the Dark Knight will be victorious. Instead of being a good sport, Miller’s Batman continues to be unable to admit Spawn has won, proving Al is also the better man by ignoring Spawn’s compliments, honesty, and offer to bury the hatchet. Instead, he hurls a batarang at Spawn’s face.
Originally it was believed that Spawn chose to sew up the resulting scar with a pair of shoelaces, although this was retconned later. The shoelaces themselves would become a powerful magical artifact that was coveted by one of Spawn’s allies but besides that, the events of this crossover were never mentioned even by the second Batman/Spawn crossover later that year. Although one can argue that Spawn cheated more than once in his fight against Batman, the Dark Knight’s behavior is so over-the-top and uncharacteristically aggressive that you have to award Spawn the win, if only because he was the only one to emerge with his dignity intact.
Next: Batman vs Predator: Can Marvel Ever Top DC’s Crossover?
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‘The Comey Rule’ Review: Showtime’s Limited Series Is Weak Melodrama and a Jarring Monster Movie
Like the shark in “Jaws” or the “Alien” Xenomorph, Donald Trump lurks unseen in “The Comey Rule.” But once this creature bares his teeth, it can’t be stopped.
More than the eponymous ex-FBI director himself, “The Comey Rule” is about being duped. Writer and director Billy Ray’s limited series indeed chronicles the most (in)famous moments of James Comey’s tenure at the bureau — from Hillary Clinton’s email debacle to his private dinner with Donald Trump — but it’s more interested in what the man represents than whether he’s heroic. Here’s a public official, vigilant in his protection of the bureau’s institutional integrity and independence, who nevertheless found himself influencing a presidential election and sharing ice cream with the Commander in Chief. Watching Comey on Showtime (played by a perfectly cast Jeff Daniels) is like watching the oblivious lead of a horror movie walk into a haunted house, spot a bloody ghost floating through a door, and then follow the ghost further and further into the basement until there’s no hope for escape.
Comey’s choices — again, as framed by the series — all seem idiotic in hindsight, but they’re all based in a belief in American virtues. As a man who sees his job as “catching bad guys,” he holds himself to a defined moral standard and expects his peers to do the same. Aside from wishing Comey had spent a few more Sunday nights watching “Veep,” what our infuriating protagonist doesn’t know is the same thing very few of us knew prior to the 2016 election: that the old rules don’t apply; that the monster we’re fighting isn’t restricted by the laws of humanity (or human decency); that Donald Trump is coming, and just as a kitchen knife won’t stop a ghost, propriety and “best intentions” can’t be counted on to keep him in check.
Given the apropos juxtaposition of before and after, it’s fitting that “The Comey Rule” is split into two parts: “Night One” spends 90 minutes covering the relevant events leading up to the 2016 election, while “Night Two” spends two full hours covering the next seven months. Such a split also creates the opportunity to theatrically unveil Donald Trump, as the first night just shows his silhouette when early reports of impropriety reach Comey’s ears, before ending on Brendan Gleeson’s Trump parting the curtains of his election night victory party.
Dramatically, this is where things start to pick up. “Night One” is mostly preamble. While the debates and decisions have dire consequences, the reasoning and rationales are too well known at this point to renew much ire, and “The Comey Rule” doesn’t try too hard to get the audience invested in anyone but Comey. So it’s not until Trump arrives and starts throwing the FBI out of whack that scenes carry an extra edge to them. Comey is suddenly on his heels; the confidence he exuded in executing his duties curdles into smug misinterpretation, as it slowly dawns on him how unprepared he really is to do his job under Trump.
Ben Mark Holzberg / CBS Television Studios / Showtime.
Despite Trump’s absence from half the limited series, “The Comey Rule” is still a mano a mano fight between man and monster. Daniels’ deserves as much praise for his scene-by-scene execution as for accepting the role in the first place. Most viewers are probably familiar with his Emmy-winning turn on Aaron Sorkin’s “The Newsroom,” where his principled anchor Will McAvoy served as an all-too-sage savior of truth and reason on TV, but he also played a stalwart real-life hero in Hulu’s “The Looming Tower.” These parts prepared him well for “The Comey Rule’s” more earnest moments, as well as the casual air Daniels can give characters under the most extraordinary circumstances. (When Comey sits for a job interview with President Obama, played by Kingsley Ben-Adir, his candor reads as simultaneously respectful and pompous, which is no easy feat.).
But those same identifiable parts created preconceptions that led many to worry “The Comey Rule” would be a hagiography; a show that over-idolized a public figure who’s made far too many mistakes to deserve canonization. Instead, Daniels excels at deconstructing Comey’s once impervious facade; he’s repeatedly shocked by Trump’s private remarks (the “honest loyalty” dinner scene is one of Daniels’ best), and small quivers in his expression become angry outbursts at his peers, both small enough to be dwarfed by Trump’s outsized personality yet still emphasized to illustrate how hard Comey has been blindsided. Even when he thinks he’s right, he knows he’s outmatched.
Gleeson’s take on Trump is a little harder to admire, even if it’s properly huge. When first introduced, during a pre-inauguration briefing about the Russia investigation at Trump Tower, there’s an actorly precision and gravitas present that doesn’t gel with the rambling madmen we’ve come to know on TV. Really, this is as much Ray’s choice as director as it is Gleeson’s, seeing that the slo-mo arrival and spaced editing seem aimed to get the audience used to this Trump more than capturing the real guy. Little things prove nagging, too, like when Trump pours Comey a glass of water — as if he would ever think of anyone but himself — or when a lengthy monologue actually circles back to the original point, rather than drifting off into Nowhere’s Ville, per usual.
Ben Mark Holzberg / CBS Television Studios / Showtime.
Still, subjective or not, Gleeson settles into the role. The one-on-one dinner showcases the mumbly rants and disconnected train of thought that Comey later references to his staffers, and the Emmy-winning actor nails the slurring overemphasis of specific syllables. (“There were no prostitutessss. There were never any prostitutessss.”) Ray also isn’t shy about amping up the sinister nature of Trump through formal touches. Direct-to-camera news addresses are jarring enough given how tightly the director frames Trump, but there’s also heavy shadows for him to emerge from and ominous music blaring when he’s at his most vile.
All of this helps frame “The Comey Rule” as a monster movie more than a melodrama, which mostly works in its favor. (That Comey, upon learning of his termination via the news, gets an honest-to-God “Rudy” reenactment should tell you enough about its dramatic potential — though it could work as another meta reference to Daniels’ casting.) The show doesn’t offer any breaking news about the Russia investigation, but it’s clear in its message that Trump already destroyed one election — via meddling, blackmail, and all-around discord — and he’s absolutely trying to do it again. Given the polarized nature of politics (that the show itself highlights), it’s unlikely any undecided voters will tune in and be swayed, nor will it stand up as a definitive historical reference once the 2020 election is behind us. But maybe, just maybe, “The Comey Rule” can scare a few audience members into taking further action — before the monster strikes again.
“The Comey Rule” premieres Sunday, September 27 at 9 p.m. ET on Showtime. The second part will air the following night, Monday, September 28 at the same time.
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