It’s been a busy, productive year for the young songwriter Jordana Nye. Back in March, she re-released her 2019 debut, Classical Notions Of Happiness; the expanded edition included songs like “Crunch” and “Sway” that signaled a big ’90s-indebted step away from the bedroom pop aesthetic Jordana had previously been favoring. She quickly followed through on the new aesthetic explorations with the Something To Say EP in July. It turns out that EP was only half the story.
Now, Jordana’s already back with news of another EP. This one’s called To You, and together with Something To Say it will actually make up Jordana’s second album, Something To Say To You. The dual EP album will be out in the beginning of December via Grand Jury. As has been the case with the singles we’ve heard from Jordana this year, it’s the result of close collaboration with the NYC producer MELVV and finds Jordana delving further into those ’90s indie and pop strains.
Along with the announcement, Jordana has shared a new song called “Divine.” “Divine is a song I wrote that speaks on the exhausting cycle of emotional battles and mental recovery that I’ve endured from past relationships,” she said in a statement. This time around, Jordana’s crafted a wistful synth-driven track, and her references have moved up a decade, with her namechecking Phoenix in the first verse. Check it out below.
03 “Fuck You”
05 “I Guess This Is Life”
Something To Say To You is out 12/4 via Grand Jury. Pre-order it here.
Every XP Coin Location for Week 3 (Season 4)
During Week 4 of Fortnite Season 4, players can collect XP Coins for extra XP toward their Battle Pass. There are 10 XP Coins around the map.
Each week during Fortnite Season 4, players can expect to earn XP in a variety of ways, from completing Weekly Challenges to filling out punch cards, to simply playing the game as normal. However, to get a little extra XP, players may want to seek out and collect the XP Coins added each week. Grabbing this XP will help players climb the Battle Pass Tiers more quickly and earn all the Marvel-themed rewards for doing so. In Week 4, players can expect to find ten XP Coins in various colors, including another Gold XP Coin.
This week, there are 2 Purple XP Coins worth 10,300 XP each, three Blue XP Coins, worth 6,500 XP each, and four Green XP Coins, worth 5,000 XP each. This is also the second week in a row during which players can find a Gold XP Coin, worth 15,000 XP. As usual, these are scattered around the map, with the player needing to break some items to get to a few of them. Here’s the location of every XP Coin in Fortnite Season 4 Week 4.
Click the button below to start this article in quick view.
Every XP Coin Location in Fortnite Season 4 Week 4
The map shows the numbered location of all 10 Week 4 XP Coins. Many of these are located near the map locations for other Week 4 Weekly Challenges, meaning players can knock out a few tasks in a single match.
- Hovering over a rock northwest of Sweaty Sands.
- Hovering over a lamp on an island south of Slurpy Swamp.
- Inside Lockie’s Lighthouse northeast of Coral Castle, only accessible by breaking the shelf holding the potted plants
- In a room near the top of The Authority, only accessible by breaking the metal rack.
- Southwest of Dirty Docks and northwest of Retail Row, inside the building at Lake Canoe, only accessible by breaking the canoes.
- At the western part of Coral Castle, inside a tower.
- On the small island northeast of Steamy Stacks, behind two large rocks.
- On the peak of the mountain east of Catty Corner.
- By a tree on a cliff near the coastline southwest of Misty Meadows.
- In the elevator shaft on the top floor of the building at the south end of Stark Industries, accessible only by breaking down the metal door.
As usual, to avoid losing any Purple XP Coin fragments, players should be sure to build around the larger Coin to keep the fragments concentrated to one place.
For the past few weeks, some players have been experiencing a bug where the punch cards will refuse to populate if the player collects more than one of each color Coin in a match. If players notice this bug persist, the easiest workaround is to only collect one of each color XP Coin in a single match.
Next: Fortnite Comes To PS5 On Launch Day With Cross-Progression
Fortnite is available for Nintendo Switch, PC, PlayStation 4, and Xbox One.
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‘Watchmen’ and ‘The Mandalorian’ Split the Emmy Craft Awards with Bold, Innovative Work
The shows each earned seven Creative Arts Emmys, thanks to “Watchmen’s” experimental surrealism and “Mandalorian’s” Baby Yoda and game-changing LED-wall tech.
Regina King’s Angela/Sister Night and Baby Yoda were the two pillars of success this Emmy season. So it was no surprise that “Watchmen” and “The Mandalorian” were the biggest craft winners at the Creative Arts Emmys, splitting seven awards apiece — and deservedly so, considering their bold and innovative work, which transcended their superhero and sci-fi trappings.
Damon Lindelof’s zeitgeist-grabbing “Watchmen” was a powerful “remix” of the famed ’80s graphic novel using the Tulsa massacre as a catalyst for excavating the generational sweep of racism and police brutality. HBO’s limited series award winner scored for Gregory Middleton’s cinematography, Sharen Davis and Valerie Zielonka’s fantasy/sci-fi costumes, Henk Van Eeghen’s editing, Trent Reznor and Atticus Ross’ original limited series score, and sound editing, sound mixing, and casting.
“The Mandalorian,” Jon Favreau’s breakout “Star Wars” hit for Disney+, cleverly melded the samurai and western, propelled by the game-changing LED-wall tech from Industrial Light & Magic (StageCraft). As expected, the half-hour series won for visual effects (the virtual production work and Baby Yoda proved an unbeatable combination), bolstered by Greig Fraser and Baz Idoine’s cinematography and the production design of Andrew L. Jones, Jeff Wisniewski, and Amanda Serino. In addition, “The Mandalorian” took home Emmys for Ludwig Göransson’s original series score, sound editing, sound mixing, and stunt coordination.
While several of “Watchmen’s” wins spanned different episodes, including King’s badass Sister Night costume in the opener (“It’s Summer And We’re Running Out Of Ice”), and the editing of Doctor Manhattan’s subplot (“A God Walks into Abar”), the most experimental episode, “The Extraordinary Being,” stands apart for its surreal aesthetic (listen to Chris O’Falt’s “Deep Dive” podcast for the complete collaborative story).
It’s about the origin of the Hooded Justice superhero and how his traumatic memories infiltrate granddaughter Angela under the influence of the dangerous Nostalgia drug. The episode serves as a horrifying mindscape — shot in black-and-white, with long takes, and floating in and out of her and young Will’s (Jovan Adepo) perspective. The sights and sounds were effective in tying together the past and present.
As for “The Mandalorian,” the popularity of Baby Yoda alone — a brilliant hybrid of puppetry and CG animation — was enough to secure the VFX win. Legacy Effects produced the effective hero puppet that established the fundamental movement and emotion of The Child. ILM took its cues from that and then handled the rest (walking, crawling, spitting out frogs, and using The Force) without us noticing it.
However, ILM’s launch of the StageCraft volume set at Manhattan Beach Studios was an enormous virtual production accomplishment with industry-wide ramifications. It offered a new paradigm shift for real-time onset shooting (in collaboration with Epic’s Unreal engine), with the actors performing in front of massive LED walls, where the exotic and dystopian worlds were projected. StageCraft eliminated the need for costly and time-consuming location shoots, which looms even larger for future productions. Yet the big breakthrough of this video wall tech was the accurate camera tracking and perspective-correct 3D imagery pulled together seamlessly and believably. (Season 2 of “The Mandalorian” begins streaming October 30.)
Indeed, StageCraft has been so successful that ILM will soon open a second permanent stage in Manhattan Beach, along with a third in Pinewood Studios in London, and a fourth in Fox Studios Australia. This will initially be devoted to Marvel’s “Thor: Love and Thunder,” directed by Taika Waititi. Meanwhile, both Weta Digital and Pinewood Atlanta Studios recently launched their own virtual production LED studios.
The other two standouts, of course, were the continued undefeated runs of “The Crown” and “The Handmaid’s Tale” for costume and production design, respectively. This just proves how defining wardrobes and world building are to the dramatic success of these two shows.
In Season 3 of “The Crown,” costume designer Amy Roberts came onboard to handle the arrival of Olivia Colman’s Queen Elizabeth and Helena Bonham Carter’s Princess Margaret in the ’60s and ’70s. That brought a lot more color. Roberts dressed the queen in pretty, clear colors to convey her steady, unwavering leadership, while making the unhappy princess more flamboyantly stylish.
And, in Season 3 of “The Handmaid’s Tale,” three-time Emmy-winning production designer Elisabeth Williams transformed Washington D.C. into a nightmarish “Gilead on steroids.” For a gloomy aesthetic of propaganda symbols, she turned the Lincoln Memorial into a headless shambles, the Washington Monument into a white cross, and The National Mall into a sea of red for 200 obedient Handmaids. It was a sign of the times, underscored by the crafty use of iconic landmarks.
Emmys 2020 Fashion: See Which Stars Went Glam vs. Casual (PHOTOS)
The 2020 Emmy Awards are different for many reasons, one being the lack of a live red carpet featuring the nominees in some fabulous fashions.
Despite these hurdles, it didn’t stop celebrities from celebrating in their own special way and thankfully they’re sharing their at-home ensembles via social media. Whether they went full-out with their fashions or kept it casual, the stars made some serious statements with their outfits.
Scroll below to see which stars went glam while others went casual for the annual awards ceremony (and stay tuned for more as we add the looks throughout the night).
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