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Lily Allen and David Harbour get married in Las Vegas

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Lily Allen and David Harbour have taken their relationship to the next level by getting married in Las Vegas .

The couple, who have been dating since last summer, were married by an Elvis impersonator at the celeb-friendly Graceland Wedding Chapel, reports The Sun – who have obtained their wedding certificate.

The news comes after showbiz gossip website TMZ reported that the pair had obtained a marriage licence, which would allow them a year to tie the knot.


Since the story broke, Allen has shared a number of images of the low-key big day on social media.


Wearing a white bardot-style mini dress by Dior paired with a veil, the star looked loved-up as she shared a snap laughing with Harbour, being serenaded by an Elvis impersonator and chowing down on a burger.

While the singer, 35, and Stranger Things star, 45, have been pretty private about their relationship, Allen appeared to confirm engagement rumours earlier this year.

The star has been sporting a seriously impressive diamond ring on her wedding finger and Harbour recently joined Allen and her children, Marnie Rose and Ethel, for a family holiday in Croatia.

Their relationship appears to have begun in 2019 when they were spotted enjoying a number of dates in London.

They then took things Stateside when Harbour made his Saturday Night Live hosting debut, with Allen flying to New York to join him and celebrate.

Their red carpet debut came in January when they attended the Screen Actors Guild Awards together.

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The Midnight Sky: First Look at George Clooney’s Netflix Drama

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The Midnight Sky: First Look at George Clooney’s Netflix Drama

Netflix has released first look photos at George Clooney’s (Argo) upcoming drama The Midnight Sky, directed by and starring the Oscar winner in a post-apocalyptic tale. You can check out the photos now in the gallery below!

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The film follows Augustine (George Clooney), a lonely scientist in the Arctic, as he races to stop Sully (Felicity Jones) and her fellow astronauts from returning home to a mysterious global catastrophe.

Purchase your copy of the novel here!

The Midnight Sky also stars Felicity Jones, David Oyelowo, Tiffany Boone with Demián Bichir and Kyle Chandler, and introducing Caoilinn Springall.

Clooney directs the adaptation of Lily Brooks-Dalton’s acclaimed novel Good Morning, Midnight, from a screenplay written by Mark L. Smith.

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The movie is produced by Grant Heslov, p.g.a., George Clooney, p.g.a., Keith Redmon, Bard Dorros, and Cliff Roberts. Executive producers include Barbara A. Hall, Todd Shuster, Jennifer Gates, and Greg Baxter.

The Midnight Sky will release this December on the streamer.

The Midnight Sky

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‘Resident Evil: Infinite Darkness’ Trailer: The Hit Video Game Is Becoming a CG Anime Series at Netflix

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The Resident Evil video game franchise already has an entire series of live-action movies, not to mention a handful of computer animated movies. Now the popular horror game title is heading to streaming with its first computer generated anime TV series at Netflix.

Resident Evil: Infinite Darkness was announced on Capcom’s virtual Tokyo Game Show stream, and Netflix quickly released the first teaser trailer for the series, which finds Leon S. Kennedy and Claire Redfield each investigating mysterious happenings in the dark. Get a look at the Resident Evil animated series trailer below.

Resident Evil Animated Series Trailer

While I’m not entirely sure what makes this an anime series, that’s how it’s being touted by Netflix. It doesn’t have the style of traditional anime, but it looks in line with the Resident Evil animated movies that came before it, having a style that resembles the Final Fantasy movie that was released all the way back in 2001, albeit with more advanced animation. Though I will say that the animation of facial expressions on display leaves something to be desired.

There were no story details revealed by Netflix, but their official press release touts a new threat for Leon and Claire after they’ve cheated death over and over again. In the teaser, we see Claire walking carefully around a dark house where mysterious vials lie all over the floor, leading her to someone sitting in a chair with a gun in their lap. Meanwhile, Leon shoots one of Resident Evil’s signature zombies, saving another unknown character.

Netflix is touting some kind of sci-fi twist with this Resident Evil series, but that’s about all we have to go on so far. Surely this is Capcom’s attempt to help reinvigorate Resident Evil‘s presence in the media spotlight in time for the 25th anniversary of the game franchise in 2021, which is when the series is slated to hit Netflix.

Resident Evil: Infinite Darkness is produced and supervised by Capcom’s Hiroyuki Kobayashi, and the anime production banner TMS Entertainment. As for the animation, Resident Evil: Vendetta producer Kei Miyamoto has led Quebico on the production, and the 3DCG animation has evolved a decent amount since he worked on that animated Resident Evil movie.

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LA Times Apologizes for ‘History of Racism,’ Vows Diversity

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Los Angeles Times owner Dr. Patrick Soon-Shiong vowed to increase diversity in the newspaper’s coverage and staff in a letter published Sunday along with a series of sweeping, introspective reports into the Times’s long history of racism.

“The Times has also mirrored, and in some cases propagated, the biases and prejudices of the world it covers, reflecting and shaping attitudes that have contributed to social and economic inequity,” Soon-Shiong wrote. “Today, we are beginning the process of acknowledging those biases of the past and taking positive action to affirm a commitment that our newsroom will not tolerate prejudice.”

The articles examine the LA Times’ history dating back to its creation in the 1880s and its repeated failure to cover critical issues affecting millions of nonwhite Angelenos. Those issues include racist abuse from law enforcement, redlining practices that segregated Black and Latino residents into environmentally and economically poor neighborhoods, and willful bias on behalf of wealthy interests dating back to the paper’s first major publisher, Harrison Gray Otis.

“Again and again, The Times sought to shape and dominate the region instead of merely chronicling it,” the Times Editorial Board wrote. 

The criticisms have continued to today, as reporters of color at the Times have accused executive editor Norman Pearlstine of failing to diversify the Times’ newsroom as well as failing to modernize the paper to meet digital subscription benchmarks. Over the summer, Black and Latino caucuses within the Times have published public statements criticizing the paper’s leadership, noting that its editors remain predominantly white and do not reflect the diversity of Southern California.

“This very much feels like a sink-or-swim moment for the paper. And when the people who are supposed to be guiding the ship, so to speak, don’t seem to be aware of what’s going on — if they’re even around — it’s alarming. It’s very, very alarming,” one reporter told TheWrap in August.

In his letter, Soon-Shiong notes that he and his wife are the first nonwhite owners of the Times, and as such “feel a deep personal responsibility and duty to fight racism and bias.” Along with today’s editorials and introspective reports, Soon-Shiong says that more articles from the Times’ reporters of color will be published in the coming days examining the paper’s coverage of nonwhite communities.

“The national reckoning on race and that within the Los Angeles Times are welcome developments that have already led to productive conversations, concrete plans and accelerated progress for us,” he wrote. “We are committed to change, both because it is just and because it is mission-critical for our business. Only a diverse newsroom can accurately tell this city’s stories. Only a newspaper that holds power to account and uncovers injustice can truly succeed.”

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