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The Vow: Season Two Renewal for HBO Documentary Series

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Which sectors will be the winners and losers from the US Elections?

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Lloyd Harris, head of fixed Income at Premier Miton Investors

Fixed income

We know there is a second fiscal stimulus coming in the US. We just don’t know when. And there may even be a third depending on who wins the election.

One thing is for sure, though: for markets the outcome is relatively clear. With additional fiscal stimulus, we will get steeper government bond curves.

As is the standard playbook when we get steeper government bond curves we also get flatter credit curves and this is likely to be a feature of the bond markets as we head through the autumn.

However, the Federal Reserve is likely to be vigilant to this dynamic. Financial conditions are already too tight in the US – banks are tightening their lending standards and it is highly unlikely the Fed sees higher 30-year rates as desirable, for it is this rate the US mortgage market is based off.

So, while flattening in credit curves will persist, the steepening of government bond curves is likely to be less pronounced because the market is wary of the Fed buying long maturity government bonds.

The longer the pandemic has us in its grip, the tighter the financial conditions and the greater chance the Fed will be forced into long-end Treasuries.

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Live Streaming Equipment: Studio Setup Guide on the Cheap

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So you’re building a studio to live stream out of and you need the right equipment for the job. Congrats!

Considerations

Always start with three cameras at 1080p resolution. The reason for this is simple. Most things that happen in front of the camera usually involve two subjects. Alternatively, some broadcasts involve one person interacting with an object. For these two scenarios, we can expect we’ll at least need one camera for a wide shot, and the other two cameras are for closeups on the subjects.

Knowing that you’ll need three cameras, I highly recommend these cameras are the same type, with settings that can be remotely configured. If you end up with cameras that use different sized sensors and different types of color filters, you end up with problems where the footage doesn’t match jumping from one camera to another, no matter how much you tweak the white balance or sharpness.

On the same note, keep them all using 1080p. Most displays for live streaming are geared towards 1080p resolution. If you are recording content that you plan to eventually edit down, 4K is not a bad option. And if you have the money and bandwidth, you can certainly consider 4K. But, being as this gear is designed for general live streaming, I’d keep it at 1080p.

Recommendations

For those with more room to breath and people to run cameras, the blackmagic studio camera is a nice budget-oriented option.

Combined with the ATEM switcher, iris, f.stop, color balance, focus, and zoom can also be controlled remotely. Focus and zoom can only be controlled if the following lenses are used:

Please keep in mind that all remote options are managed through SDI cables.

Considerations

Get two lavalier microphones, preferably wireless. You’ll also need a mixer to run them through for better audio into the switcher and possible phantom power.

Recommendations

I have used sennheiser for over a decade with great results. Otherwise, for a little cheaper, you may want to consider Rode Wireless Go. I don’t think you’ll be disappointed with either. If you have to go wired, checkout the Audio-Technica Pro 70 Lavalier.

I keep those around for backup. They allow for phantom power through batteries or the mixer.

Mixers, Switchers, and Encoders

Audio Mixer

Generally speaking, it’s better to keep your audio and video on separate systems. For the audio mixer, I like to keep it simple with something like Mackie where I can make sure I have at least two XLR inputs for the two lavalier mics.

Now I say generally, but certainly it is possible to send your audio into the switcher directly from the cameras themselves. Honestly, I hate doing this. But depending on your situation, sometimes it’s easier. In cases where I’m using cameras with XLR connections, I’ll consider it. I’ll tie the lavalier to the camera point at the subject the mic is staying on, and it keeps me remembering which mic is for whom.

Video Switcher

I can then control everything through the ATEM switcher. Oddly though, I’ve had issues where the compression made the audio sound a bit off. So again, I prefer to keep it separate though an audio mixer when possible.

That said, I love blackmagic ATEM switchers. You can get a 4K or HD version that will allow software controls of the cameras and audio. This allows you to add lower-thirds, graphics, and a slew of options. If the price is too high, you might want to consider an ATEM Mini.

The ATEM Mini is an amazing low-budget option. it’s got software functions to add graphics, switch on preview, and even change the size of the picture-in-picture options. However, the ATEM mini is not a way to control external equipment, as it’s only for HDMI connections, and requires the total length of HDMI cable used between a maximum of four cameras and it’s final output does not exceed 200ft. For the price, this is an amazing switcher, and for cameras like PTZOptics, I wouldn’t hesitate to buy them.

If you’ve decided to go with an ATEM 4K/HD, or ATEM Mini, you won’t go wrong sending the live stream to Wowza ClearCaster. Wowza ClearCaster is a great encoder that can be managed remotely, so you can rack-mount it somewhere out of the studio. Not only does it have multiple options for transporting that stream to its next destination, but it can simultaneously transport it to multiple destinations.

If you prefer a digital option, you should consider Vmix, Wirecast, and the free option of OBS Studio.

All these provide a great way of making an amazing production and implementing additional digital control and controls. However, you will need a powerful computer to manage everything, and a way to bring in feed from three different cameras. There are two solutions for this.

Additional Equipment

If you’re using SDI cables, I’d consider the AJA Mobile I/O, or the Desktop I/O. This will work great with Wirecast or Vmix. In my own testing of the equipment, the system got hot as hell sending four streams of 4K through it. But it did its job.

The other alternative is via IP. The PTZOptics cameras are essentially IP cameras and can send the video feed via RTSP to any of the mentioned digital switchers. There are also plugins available to allow you control of the cameras through these same switchers.

As Vmix, Wirecast, and OBS Studio also work as encoders, you can easily send the output via RTMP to social media, or to Wowza Streaming Cloud, which can feed it to your own website as well as multiple targets.

Live Streaming Equipment Configurations

There are a variety of ways you can configure the equipment I’ve listed above. However, to simplify matters, I’ve broken it down into SDI/HDMI/IP connections going to hardware/software switchers.

4K SDI to Hardware Switcher (Can Be Used for 1080p)

Cameras: 4K Blackmagic Studio Cameras

Audio: Sennheiser Wireless Microphone System

Switcher: 4K Blackmagic ATEM Switcher

Encoder: Wowza ClearCaster

Additional Equipment: Blackmagic Mini Converter SDI Distribution 4K is needed to connect all three cameras to the ATEM for camera and lens control.

Note: This is the standard system we’ve set up in our studio for both live streaming and recording. 4K allows for editing a higher resolution copy. Blackmagic 4K video assists are used for local recording. Camera settings and lens control is done through the ATEM switcher, but the camera movement is controlled by camera operators.

1080p SDI to Software Switcher

Cameras: PTZOptics

Audio: Sennheiser Wireless Microphone System

Switcher: Vmix (Windows) or Wirecast (Windows or Mac)

Encoder: Same as Switcher

Additional Equipment: AJA Mobile I/O to bring video signals into the switcher

Note: This system also allows the option to output with the AJA Mobile I/O to Wowza Clearcaster if using the switching software for encoding requires more CPU usage than it can handle. The PTZ Optics cameras cannot be controlled from within the software unless connected through ethernet cables. However, using the IR Remote is a great solution.

1080p HDMI to Hardware Switcher

Cameras: PTZOptics or standard HDMI cameras

Audio: Rode Wireless Go system

Switcher: BlackMagic ATEM Mini

Encoder: Wowza Clearcaster

Note: This is a more economical solution for many. HDMI cameras can be static, or PTZOptics cameras can be controlled with an IR Remote. The ATEM Mini will reduce the distance away from the switcher the cameras can be placed, but it’s a good solution for a small room or even remote locations.

1080p IP Connection to Software Switcher

Cameras: PTZOptics or other IP cameras

Audio: Rode Wireless Go system

Switcher: Vmix (Windows) or Wirecast (Windows or Mac)

Encoder: Same as Switcher

Additional Equipment: 5-port PoE Router, Mackie Producer 2X2 USB Audio Interface

Note: As a simpler option where both power and video connections occur through cat-6 Ethernet cables, this setup will require at least a 5-port PoE Router that sends the power. The software switcher also can control the cameras. You can push audio through the cameras, but you may want to consider getting an audio interface like the Mackie Producer 2X2 USB Audio Interface.

About Justin Miller

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Luna The Trail Dog Chasing Her MTB Riding Owner is Pure Joy

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This article originally appeared on Bike.com and was republished with permission.

When it’s time to hit the trails, having a partner to ride with is a good idea. It’s not only safer in the case of a nasty yard sale, but it’s always more fun to share the stoke with a friend. But if another human isn’t around, a four-legged trail buddy is the next best thing.

Meet Luna, a trail dog that shreds trails harder and faster than most grown adults. She hits the jumps, corners like a champ and sprints with pure speed. Check out this edit of Luna chasing her owner down a narrow singletrack––tongue hanging out the whole way.

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